Gary Bartz - Love Affair 1978
Alto saxophonist
Gary Bartz attended the Juilliard Conservatory of Music and became a member of
Charles Mingus'
Jazz Workshop from 1962-1964 where he worked with
Eric Dolphy and encountered
McCoy Tyner for the first time. He also began gigging as a sideman in the mid-'60s with
Abbey Lincoln and
Max Roach, and later as a member of
Art Blakey & the Jazz Messengers. His recording debut was on
Blakey's
Soul Finger album.
Tyner formed his famed
Expansions band in 1968 with
Bartz on alto. In addition,
Bartz also formed his own bands at this time and recorded a trio of albums for Milestone, and continued to tour with
Max Roach's band. In 1970,
Miles Davis hired
Bartz and featured him as a soloist on the
Live-Evil recording.
Bartz formed the Ntu Troop that year as well, an ensemble that fused soul and funk, African folk music, hard bop, and vanguard jazz into a vibrant whole. Among the group's four recordings from 1970-1973,
Harlem Bush Music: Taifa and
Juju Street Songs have proved influential with soul jazzers, and in hip-hop and DJ circles as well. From 1973-1975
Bartz was on a roll, issuing
I've Known Rivers and Other Bodies,
Music Is My Sanctuary,
Home, and
Another Earth, all stellar outings. He meandered for most of the 1980s, coming back in 1988 with
Reflections on Monk. Since that time,
Bartz has continued making records of quiet intensity and lyrical power -- notably
Red & Orange Poems in 1995 -- and has with become one of the finest if under-noticed alto players of his generation. AllMusic.
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