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The short-lived
Fraternity of Man is undoubtedly best known for the pro-pot anthem "Don't Bogart Me," which showed up during an unforgettable scene in the genre-defining biker film Easy Rider (1969). The original quintet included an overhaul of the
Lowell George-led
Factory, featuring
Martin Kibbee (bass),
Warren Klein (guitar/sitar/tamboura) and
Ritchie Heyward (drums/vocals).
George split and became a very temporary
Mothers of Invention member, while the other three joined up with Freak Out (1966) era
Mother Elliot Ingber (guitar). The personnel was completed with the addition of
Lawrence "Stash" Wagner (vocals/guitar) and the band recorded its 1968 self-titled release
Fraternity of Man. Another
Frank Zappa connection could be found in the guise of
Tom Wilson, who produced the
Mother's earliest studio efforts. As one might anticipate, there are several prominent musical dynamics carried over into the
Fraternity of Man from its former incarnation. The stoner wake-n-bake anthem "In the Morning," as well as "Blue Guitar" and "Plastic Rat" retain the psychedelic garage rock that pervaded much of the
Factory's sound. The band's variation of
Zappa's "Oh No" -- titled "Oh No I Don't Believe It" -- is a gassed-up rocker replete with
Ingber's nimble lead fuzz fret work. Those decidedly more belligerent outings are contrasted by the intricate and Baroque qualities of "Wispy Paisley Skies" and the aforementioned steel guitar-driven "Don't Bogart Me." However, the comfortable misfit rockers "Candy Striped Lion's Tail," "Field Day," or the slightly perverse R&B-flavored "Bikini Baby" are among the best sides on the album. The latter was revived on the utterly dismissible dash for cash EP titled
X (1995). The
Fraternity of Man issued one follow-up,
Get It On (1969) for Dot Records, prior to its dissolution in the waning months of the decade. AMG.
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