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The third incarnation of English prog rockers,
Atomic Rooster make their debut on
Made in England (1972). The group began as a trio featuring former
Crazy World of Arthur Brown member
Vincent Crane (organ),
Nick Graham (bass), and
Carl Palmer (drums). After a few significant shuffles within the lineup, only
Crane continued with the name, recruiting
Colosseum co-founder and
Mick Jagger protégé
Chris Farlowe (vocals), and
Ric Parnell (percussion) and
Steve Bolton (guitars) as the next generation. They have an edgy and somewhat brooding sound, recalling early
Mott the Hoople discs such as the highly underrated
Mad Shadows (1970). Much of the material reveals the quartet's slightly funky groove, such as the pulsating "Stand by Me," or the gospel-inflection on the spoken "Introduction," which prefaces the
Crane instrumental "Breathless." Somewhat misplaced is the orchestration -- especially on "Time Take My Life" -- which tends to congest the otherwise driving arrangement.
Parnell penned a pair of the finest contributions on
Made in England, the slinky "Little Bit of Inner Air," as well as the Southern rock tinged "All in Satan's Name." The latter comes off like a blend of the
Allman Brothers and
Deep Purple.
Bolton supplies the power ballad "Never to Lose," as well as "Space Cowboy," which develops into an electric hoedown following a somewhat off-balance and synth-heavy keyboard intro.
Bolton would be the next casualty of the combo, leading to the formation of the criminally underrated
Headstone. A successful North American tour resulted in
Made in England, which charted briefly in the U.S., and would be the final
Atomic Rooster album to do so. The band would successfully continue under
Crane's tutelage until the early '80s, when he joined up with a post-"Come on Eileen"
Dexy's Midnight Runners. AMG.
listen here
I bought this in '72 as an English import. The cardboard sleeve came wrapped in a stitched denim cover. The vinyl itself looked initially to be typical black plastic, but I discovered one day, by passing in front of a light, that it was actually deep red and translucent. Digital music is cool and all, but I miss the awesome packaging of a good old vinyl record. Oh, this happens to be the very best Atomic Rooster record IMHO.
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